S10 E12 (The Doctor Falls) is the end of (Modern) Doctor Who. Such a perfect episode epitomising the character, and closing an arc for one of the longest villains. He even ‘dies’ at the end.
Everything since then has been badly written and purposefully disrespectful to the cannon and the audience, and has wasted so many fantastic actors.
Endgame is the end of the MCU. After endgame disney pished out too much MCU shit and ruined it. They should’ve stopped at endgame and not try to make many shows that also factor into the overall MCU. Some may argue that this problem was already too much before endgame premiered. That is a valid argument.
24 Season 4 is my version of a happy ending. I’m not saying I didn’t enjoy the rest of the show, but God damn, Jack didn’t deserve that many bad days.
I only wish I ever learned who’s the mother and how he met her…
Babylon 5 ended with season 4 and the excellent shadow war arch.
Terminator 2 (T2) is a masterclass in combining CGI with practical effect and its ending is a rare cinematic full stop.
The T-1000’s liquid metal form was revolutionary, the morphing effects were cutting-edge in 1991, yet Cameron used them sparingly and only where practical effects couldn’t work. That restraint made the CGI more impactful and has made it so they still hold up 35 years later.
The truck chase through the storm drain, the helicopter flying under an overpass, the Cyberdyne building blowing up; it was all real and you can feel that when you watch the movie. There is no way any movie studio would do that nowadays when they could just CGI giant Michael Bay explosions.
The destruction of Cyberdyne and the Terminators meant the timeline was reset. Judgment Day was averted. The T-800 lowering itself into molten steel is an iconic moment; a machine choosing self-sacrifice for humanity. It’s a perfect final note, not just for the character, but for the franchise. Bringing him back again and again weakens that sacrifice. Any sequel has to undo all of this just to exist. Which is why to this day, I have not watched a single Terminator film after T2.
FWIW, I actually enjoyed T3 and what it did with the timeline. Not saying it’s a better movie, or it was necessary, but still I liked it well enough.
Basically, the arm and chip Dyson used to advance science merely accelerated judgement day. It was coming regardless. Destroying them just pushed judgment day back to its original date.
I kinda like that, cuz otherwise it’s a bootstrap paradox where skynet sent back the technology that was used to create skynet.
Which is why to this day, I have not watched a single Terminator film after T2.
I don’t want to spoil anything, but you might be interested in knowing that some of us feel that Terminator: Dark Fate avoids the issues you mention, and works as a direct and worthy sequel to T2.
spoiler
The end of the episode loops seamlessly into the pilot. When I first watched it live they played both episodes back to back without an ad break. It took me a few minutes to realize what they had done and I started crying.
It’s a perfect loop, a perfect end to Fry and Leela’s relationship, and bittersweet in its existential implications
The “new” episodes they released afterwards don’t count. I acknowledge that they exist but I do not grant them the title of canon.
Aliens ended the franchise. Slightly different answer, nothing occurred between the release of Predator and Prey.
Andor is probably the last Stars War that I’ll watch unless they come out with another one that learns from it. DS9 took Star Treks seriously and the result was a show that has relevant ideas 30 years later. Until Andor, none of the Stars Wars I’ve seen have taken the universe seriously. They’ve expanded on it in unnecessary detail and obsessed over that detail, but intellectually they’ve all felt flat and liberal. Andor spends three episodes showing the Death Star through Foucault and you get one brief shot of it after a full film-length of watching how a gear is made using slave labour. That dialectical materialist analysis of the empire is so much more interesting than any battle or Jedi scene across the whole canon.
I really liked the Acolyte. Not necessarily for its acting but it leaned into the idea that dark side and light side are not so different and the Jedi can cause a lot of suffering by sticking their noses where they don’t belong. Also, there are force users that don’t fit neatly into those two categories and just want to do their own thing.
Sadly, we won’t see a second season, because some “fans” on the internet got mad that women, people of color and - very shocking - queer people exist in the Star Wars universe.
Sadly, we won’t see a second season, because some “fans” on the internet got mad that women, people of color and - very shocking - queer people exist in the Star Wars universe.
It sucks that these people exist, for many reasons. One of these reasons (surely not the worst one, but the one I want to focus on) is that it muddies all criticism of a project. Your comment implied that this was the sole, or main, reason that The Acolyte was canceled, so I want to jump in here to say:
Having more women, people of color, and queer characters was the only refreshing thing about The Acolyte, and I wish more Star Wars projects took notice. Other than that though, the show is an utter disaster. It was incompetently written and directed, its story and characters make no sense, and the effects can be jarring.
Characters either have no defined motivations, or their motivations flip flop at the drop of a hat. Scenes dealing with the Jedi order and the republic fuck with established lore and do lasting damage to the Jedi order (not in the sense that they are shown as morally gray, but in that they are utterly incompetent and seemingly don’t remember the appearance of the Sith during living memory, for example).
Speaking of which, yes, the show tries to portray Jedi/Sith as a gray area, but
a) that has been done to death at this point, seriously, every other SW project tries to do a “ooooh but maybe Jedi not completely good!”, and b) The Acolyte is probably the most incompetent version of that I have seen (so far!).
I hope I have demonstrated that this show can be critiqued bar any bigotry, and I think it should be acknowledged that that, together with the giant sum of money it ate, are the reasons it got canceled - I am sure Disney also does not like the bigotry, but sadly, they get that with every project, even those that do not get canceled…
In any case, there is no comparison to Andor to be made, SMH.
That concept is great and truly one worth exploring but the execution left alot to be desired. Character motivation wasn’t explored enough and it left alot of the choices the jedi made seem just ham fisted. Leaving the whole concept of them sticking their noses where they don’t belong as just arbitrary.
The Matrix
I feel compelled to say Scrubs s08e19, which is weird because they only ever made eight seasons of Scrubs.
I liked s9 🤷🏻♀️
It’s okay as a spinoff. But it’s very much not the same show.
JD walks down the corridor to Peter Gabriel singing The Book of Love while I’m weeping like a baby.
And that’s that. There was no more Scrubs.
Now, if you decide you want to see more of the gang and their shenanigans, there is a single season of a spin-off show called “Scrubs: Med School.” It’s okay. Not great. It’s certainly not Scrubs though.
Toy Story 3.
EDIT: And to elaborate, the movie showed a conclusion to a longer narrative thread of Andy growing up and his toys needing a new home. There was a satisfying ending.
Well with an ending like this they didn’t really leave anywhere to go.
I watched it with a guy on my floor in college. First time for both of us. He was told before that that was the ending so we were both tearing up and he thought it was about to roll credits.
The Office when Michael moved away. It was never the same after that.
I’m currently watching The Office Superfan Episodes (would recommend, if you haven’t. They add a lot of new scenes and jokes that have cracked me the hell up) and I feel like I am progressively moving the “jumped the shark” line up every time I rewatch the show.
At one point I thought it was around the time Andy got on the boat. Then around when Robert California came around. Then, when Michael left. Now I’m kinda feeling like the show has taken a significant change in tone at the point when the original corporate office is bought and cleaned out by Sabre. That’s not to say that there aren’t good episodes forward from here, but I literally feel like I’m not starting to watch the show “waiting for it to end”
Season 5 of Supernatural was the logical endpoint
Episode 25 of Death Note would have been a dark, but logical place to end the series. After that point the entire dynamic of the show changes. There are some good and interesting moments, but it doesn’t really feel like the same show.
